for bass flute (or traverso flute) and electronics
Later Wim Henderickx wrote versions for SAXOPHONE AND ELECTRONICS, for TENOR RECORDER and also for BASS FLUTE and TRAVERSO FLUTE.
The main source of inspiration was the famous novel 'On the Road' by Jack Kerouac, a largely autobiographical work that was based on the spontaneous road trips of Kerouac and his friends across America in the fifties of last century.
The electronics in this work create a flowing bourdon, a carpet of sound on which the trumpet evokes an oriental melody.
Eastern philosophy also served as an inspiration for this composition, as in Wim Henderickx's TANTRIC CYCLE, a seven-part series composed between 2004 and 2010.
More info about the work:
From a melodic phrase, circling round the tone C, a melody develops which gradually creates the illusion that it is moving towards two and even three voices. The listener will experience this as if one flute player is performing these three lines simultaneously. Glissandi evolve steadily in repeated staccato tones, almost like a morse code. The second part starts from the deep register of the flute, as a kind of mantra, with a high morse-like melody in the second voice.
In the third section the glissandi will be elaborated more and more. The suggestion of main melody versus echo forms the basis of this part. The final section starts again from the main tone C, to fade gradually in the low register of the instrument. Then also the electronics slowly decay.
The electronics were developed with short sound elements of the bass flute, such as staccato tones, glissando tones etc., circling and microtonally fluctuating around the tone C. 'On the Road' has a meditative atmosphere and at certain moments the composer wants to create the impression that it concerns a structured improvisation.
Full Cd Wim Henderickx Cd 'Triptych' (2014) With NADA BRAHMA, ON THE ROAD and ATLANTIC WALL HERMESensemble, cond. Wim Henderickx www.amazon.com |
Karin De Fleyt (bass flute) & Jorrit Tamminga (electronics)