> DOWNLOADABLE SCORES!! SAMPLES IN PDF
> WIM HENDERICKX'S WORKS (update August 2022): CATALOGUE
> Seven compositions with the Orient as a source of inspiration: TANTRIC CYCLE (2004-2010)
> AFRICAN SUITE (2022)
for piccolo (or flute) and percussion (+/- 9')
CD Enkin (Solar Duo) 2022: etcetera-records.com
> CIRCUS SUITE (2022)
* Version for concert band (+/- 8')
> SUTRA (2022)
for clarinet and instrumental ensemble (12 musicians) and optional electronics (+/- 30')
original version for CLARINET AND ORCHESTRA (2021)
> REJOICE! (Hymn for New Times) (2022)
for orchestra and electronics (+/- 17')
> CLARINET CONCERTO (Sutra) (2021)
for clarinet and orchestra (optional electronics) (+/- 30')
> DE BEKEERLINGE (The Convert) (2020-2021)
opera, based on the novel 'The Convert' by Stefan Hertmans and on a libretto by Krystian Lada
(English, Latin and Aramaic) (+/- 150')
> FLUTE CONCERTO (Empty Mind I)
for flute, orchestra and electronics (+/- 27')
> SACRED PLACES II (The Valley of the Gods) (2021)
for violin, clarinet and piano (+/- 12')
> SACRED PLACES IV (Preparing to pray) (2021)
for flute, clarinet in Bb, viola, accordeon (or organ), percussion and electronics (+/- 13')
> IN DEEP SILENCE III (2020)
* Version for 5 viola da gamba (+/- 10')
> AGNUS DEI ((2019)
for mixed choir (and electronics)
for equal voices or soloists (5 voices) (with optional electronics)
for youth choir, female choir or soloists (1 or 3 voices) (with optional electronics)
> AKASHA (2019)
for trombone and electronics (+/- 7 - 11')
> COLORED SILENCE (2019)
* Version for violin, cello and piano (+/- 2')
* Version for violin, sax and piano (+/- 2')
* Version for flute, cello and piano (+/- 2')
> DE KLANK VAN DE STAD (The Sound of the City) (2019)
for soprano, mixed choir, children’s choir, violin and ud (or guitar) (+/- 10')
(Text by Maud Vanhauwaert)
> EMPTY MIND I (2019)
* Version for flute and electronics (+/- 15')
> EMPTY MIND I (2019)
* Version for bassoon and electronics (+/- 15')
> ENIGMA VII (2019)
for orchestra (+/- 2')
> ÉVOCATION (2019)
for voice and musical ensemble (+/- 3')
> GISHORA (2019)
* version for piccolo and 7 African drums (+/- 8')
CD Patchwork (2022): etcetera-records.com
> IN DEEP SILENCE II (2019)
* Version for sax quartet (+/- 19')
> MAKYO (2019)
for marimba solo (+/- 12’)
(from MAKYO for marimba and string orchestra)
> MARIA (2019)
for mixed choir (+/- 3')
> ON THE ROAD (2019)
* Version for traverso flute and electronics (+/- 9')
> SACRED PLACES II (The Valley of the Gods) (2019)
for violin, alto saxophone and piano (+/- 12')
> SACRED PLACES II (The Valley of the Gods) (2019)
for flute, violoncello and piano (+/- 12')
> SACRED PLACES III (Parvati, the Remover of bad Energy)
for double bell trumpet in C, percussion and electronics (+/- 9')
> SACRED PLACES IV (Preparing to pray) (2019)
for panflute, blockflute, accordion, viola, percussion & electronics (+/- 13')
> SANGITA (2019)
for cello and electronics
> SONGS OF NATURE (2019)
Händel's 'Neun Deutsche Ariën' supplemented with new compositions by Wim Henderickx
for soprano, traverso flute, bassoon, archlute, violin, viola and violone
> BLOSSOMINGS (3 Prayers for a better World)
* Version for mixed choir, clarinet and electronics (2018) (+/- 17')
> CELLO CONCERTO (Sangita) (2018)
for cello and orchestra
(+/- 23’)
> HARP CONCERTINO (… after a soft Silence, an enormous Thunder…) (2018)
* version for harp and orchestra (+/- 15’)
* version for harp and ensemble (+/- 15’)
* version for harp, strings and percussion (+/- 15')
> ANTIFOON (Festival Edition) (2014 - 2017)
* Festival Edition for symphony orchestra, wind band, mixed choirs, soprano and
bass-baritone (+/- 20’)
> CHANSONS SECRETES (2017)
for soprano, flute, viola and harp (+/- 35')
> EMPTY MIND I (2017)
* Version for soprano sax and electronics (original version +/- 25’, short version +/- 15’)
> IN DEEP SILENCE III (2017)
for string orchestra (+/- 10')
CD Nostalgia (2018) www.challengerecords.com
> MISSA BREVIS (2017)
* Version for mixed choir and optional electronics (+/- 10')
* Version for female choir and optional electronics (+/- 10')
* Version for male choir and optional electronics (+/- 10')
Part of the multimedia production REVELATIONS
> NOSTALGIA (2017)
* Version for flute, clarinet, marimba and string orchestra (+/- 7')
CD Nostalgia (2018) www.challengerecords.com
> PIE JESU + LAMENT (2017)
for soprano and harp (or piano)
Part of the ballet production REQUIEM (Fauré-Henderickx)
> PULSES OF THE EARTH (2017)
for orchestra (+/- 10')
> RECORDER CONCERTO (Empty Mind I) (2017)
for recorder, orchestra and electronics (+/- 27')
> SACRED PLACES I (Angel) (2017)
for percussion and electronics (+/- 15')
> SOPRANO SAX CONCERTO (Empty Mind I)
for soprano sax, orchestra and electronics (+/- 27')
> ADANA (2016)
for flute, viola, percussion and electronics (+/- 12')
> BLOSSOMINGS (3 Prayers for a better World) (2016)
* Version for mixed choir, trumpet and electronics (+/- 17')
> ESTASI (2016)
for double choir, soprano, bass and electronics ad lib. (+/- 30')
> LAGRIMAS (Tears of Hope) (2016)
for flute, clarinet, harp and string quartet (+/- 15')
> ON HAIKU (The Four Seasons) (2016)
for shō and string quartet (+/- 7')
> RAGA I (2016)
for percussion and concert band (+/- 18')
> REQUIEM (2016)
for 2 singers, 9 musicians, choir and children's choir + dancers (+/- 45')
* version 1: Fauré with orchestration by Wim Henderickx
* version 2: Fauré with additional music and orchestration by Wim Henderickx
> REVELATIONS (2016)
for music theatre (+/- 70')
> SYMPHONY No.2 (AQUARIUS' DREAM) (2016)
for soprano, orchestra, electronics & lighting design (+/- 42')
> EMPTY MIND I (2015)
* Version for recorder and electronics (original version +/- 25’, short version +/- 15’)
> MAKYO (2015)
* Version for marimba and piano (+/- 12’)
> ON THE ROAD (2015)
* Version for trombone and electronics (+/- 9')
> ON HAIKU (The Four Seasons) (2015)
for shō (+/- 7')
> VISIONI ed ESTASI (2015)
for mixed choirs and electronics (+/- 45')
> 1001 NIGHTS (2014)
for percussion solo (+/- 6')
> ANTIFOON (2014-2017)
* Full Version for symphony orchestra, wind band, mixed choirs, soprano and bass
(+/- 50’)
* Festival Edition for symphony orchestra, wind band, mixed choirs, soprano and
bass-baritone (2017) (+/- 20’)
> CIRCUS SUITE (2014)
* Version for 4 clarinets and bass clarinet (+/- 8')
> CIRCUS SUITE (2014)
* Version for string orchestra (+/- 8')
> COLORS (2014) (+/- 15')
* verson for mixed choir, equal voices (female choir) and electronics
* verson for mixed choir & electronics
* verson for equal voices & electronics
> DE KONINGIN ZONDER LAND (The Queen without a country) (2014)
for 4 singers, 2 percussion players and electronics (+/- 75')
(Text: Paul Verrept)
> FANFARE (2014)
for variable ensemble (+/- 2'30'')
> OBOE CONCERTO (EMPTY MIND I) (2014)
for oboe, orchestra and electronics (+/- 27')
Double CD Antwerp Symphony Orchestra (2016) www.amazon.com
> EMPTY MIND I (2013)
* Version for oboe and electronics (original version +/- 25’, short version +/- 15’)
Double CD Antwerp Symphony Orchestra (2016) www.amazon.com
> THE NEW RING (2013)
for mixed choir (optional electronics) (+/- 19')
> IN DEEP SILENCE II (2013)
for flute (or picc or afl), clarinet (or bass cl), viola and cello (+/- 19’)
> INFINIZIO (2013)
for variable ensemble (variable number of performers) (between 30" and 15')
> 2 MANTRAS (2013)
for soprano (+/-10')
> ON THE ROAD (2013)
* Version for bass flute and electronics (+/- 9')
> ON THE ROAD (2013)
* Version for tenor recorder and electronics (+/- 9')
> RESONATING LIGHT (2013)
for flute, oboe, clarinet, bassoon, French horn, trumpet, trombone,
percussion and double bass (+/- 15')
> VARIATIONS (2013)
for concert band (+/- 17’)
> ELUSIVE TIME (2012)
* Version for mezzo soprano and electronics (+/- 7')
> ELUSIVE TIME (2012)
* Version for soprano and electronics (+/- 7')
> ATLANTIC WALL (2012)
for mezzo-soprano, instrumental ensemble (6 musicians), video and electronics (+/- 30')
> FIREWORKS (2012)
for sax quartet, percussion quartet and electronics (+/- 11')
> GISHORA (2012)
for soprano saxophone and percussion (+/- 8')
> GROOVE! (version 2012)
* Version for percussion and orchestra (+/- 27')
> GROOVE! (2012)
* Version for percussion and 2 pianos (+/-27') available soon
> 2 MANTRAS (2012)
for mezzo-soprano (+/-10')
> ONGRIJPBARE TIJD (Elusive Time) (2012)
Open air installation at the Market Square in Lier (B)
in collaboration with Jorrit Tamminga
> ON THE ROAD (2012)
* Version for alto saxophone and electronics (+/- 9')
> PIANO TRIO (IN DER SEIDENEN STILLE...) (2012)
for violin, cello and piano (+/- 15')
> RAGA III (version 2012)
for viola and orchestra (+/- 27’)
CD Raga I-II-III (1999) www.amazon.com
> TERRITORIA (2012)
based on 3 string quartets by Wim Henderickx (+/- 50')
> AVE MARIA (2011)
* Version for baritone (or mezzo soprano) and organ (+/- 6')
> AVE MARIA (2011)
* Version for soprano (or tenor) and organ (+/- 6')
> IN DEEP SILENCE II (2011)
for flute (or picc or afl), clarinet (or bass cl), violin and cello (+/- 19’)
> LAMENTO DI MEDEA (2011)
for soprano, instrumental ensemble (6 musicians) and live electronics (+/- 70')
> LAMENTO (2011)
for 4 cellos (+/-6’)
> MEDEA (2011)
for soprano, instrumental ensemble (6 musicians), live electronics and 4 actors (+/- 120')
> NOSTALGIA (2011)
* Version for 7 Western musicians (+/- 7')
> ON THE ROAD (2011)
* Version for trumpet and electronics (+/- 9')
CD On the Road (2011) wimvanhasselt.com
> SYMPHONY No. 1 (At the Edge of the World) (2011)
for orchestra (+/- 25')
Double CD Antwerp Symphony Orchestra (2016) www.amazon.com
> THE FOUR ELEMENTS (2011)
for mezzo-soprano , flute, violin, clarinet, violoncello (and option to include electronics) (+/-27')
> AFRICAN SUITE (2010)
for cello and percussion (+/- 9') available soon
> DISAPPEARING IN LIGHT (2010)
* Version for trumpet, alto flute, viola and percussion (+/- 32')
> IN DEEP SILENCE II (2010)
for flute, accordion, violin, viola and double bass (+/- 19’)
> GROOVE! (new version in 2012)
* Version for percussion and orchestra (+/- 27')
> LAMENTO (2010)
* Version for 4 baritone (or alto) saxophones (+/-6’)
> LAMENTO (2010)
* Version for 4 bass clarinets (+/-6’)
> MUDRA (2010)
for instrumental ensemble (12 musicians) (+/- 27')
> NOSTALGIA (2010)
for 7 Middle East instruments (+/- 7')
> ONLY DARKNESS AND SHADOWS (2010)
* Version for soprano and piano (Text: Triin Soomets) (+/- 15’)
* Version for mezzo-soprano and piano
> RAGA III (2010)
* Version for viola solo and electronics (15')
CD Disappearing in Light (2015) www.amazon.co.uk
> SEARCHING (2010)
for violoncello and marimba (+/- 10’)
> SKRIET (2010)
for wind band, brass band or fanfare (+/- 7')
> GISHORA (2009)
for trumpet and 7 African drums (+/- 8')
> LIED VOOR OLEK/SONG FOR OLEK (2009)
for voice and instrumental ensemble (7 musicians) (text: Bart Moeyaert) (+/- 3’)
> LIED VOOR OLEK/SONG FOR OLEK (2009)
for voice and piano (text: Bart Moeyaert) (+/- 3’)
> SHRI YANTRA (2009)
for 8 channel soundtracks (15'41)
in collaboration with Jorrit Tamminga
> TEJAS (What does the sound of the universe look like ?) (2009)
for orchestra (+/- 33')
> THE SEVEN CHAKRAS (2009)
for saxophone quartet and live electronics (+/- 27’)
> AIR (2008)
for soprano, flute (and option to include electronics) (+/-6’)
> DISAPPEARING IN LIGHT (2008)
for mezzo-soprano, viola, alto flute and percussion (+/- 32')
> EARTH (2008)
for mezzo-soprano, violin (and option to include electronics) (+/-6’)
> FIRE (2008)
for baritone, cello (and option to include electronics) (+/-6’)
> MOZART'S ENTFÜHRUNG (2008)
for instrumental ensemble (15 musicians) (+/- 8')
> WATER (2008)
for baritone, clarinet (and option to include electronics) (+/-6’)
> AFRICAN SUITE (2007)
for soprano saxophone and percussion (+/- 9')
> CANZONE (2007)
for voice (versions for: s, m-s, a, t, bar, b) and piano (+/- 5')
> FOUR PIECES (2007)
for clarinet and string orchestra (+/- 14’)
> RONDDOLEN (2007)
for bass clarinet (+/- 7’)
> VOID (SUNYATA) (2007)
for 5 singers, instrumental ensemble (5 musicians) and electronics (+/- 75')
> ALLA TURCA (2006)
for percussion trio (+/- 15')
> EEN TOTALE ENTFÜHRUNG (A TOTAL ABDUCTION) (2006)
for singers and small orchestra (text: Ramsey Nasr) (+/- 150')
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
for voice and accordion (text: Bart Moeyaert) (+/- 5')
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
for voice and piano (text: Bart Moeyaert) (+/- 5')
> LIED VAN DE MEISJES/SONG OF THE GIRLS (2006)
for voice and ensemble (7 musicians) (text: Bart Moeyaert) (+/- 5')
> OLEK SCHOOT EEN BEER...(OLEK SHOT A BEAR...)(2006)
for narrator and instrumental ensemble (7 musicians) (text: Bart Moeyaert) (+/- 35’)
> OLEK - SUITE (2006)
for instrumental ensemble (7 musicians) (+/- 25')
> MAYA’S DREAM (2005)
for oboe (or bassoon) and instrumental ensemble (7 musicians) (+/- 10’)
> MEMENTO MORI (2005)
for piano (+/- 25’)
> NADA BRAHMA (2005)
for soprano, instrumental ensemble (11 musicians) and live electronics (+/- 25’)
> SEARCHING (2005)
for bass clarinet and marimba (+/- 10’)
> BOLOMAKOTE (2004)
for percussion solo and 4 percussion players (+/- 25’)
> CIRUS SUITE (2004)
for woodwind quintet (+/- 7')
> IO (2004)
for woodwind quintet (+/- 12’)
> IO (2004)
for brass ensemble and percussion (12 musicians) (+/- 12’)
> ONLY DARKNESS AND SHADOWS (2004)
for soprano and orchestra (text: Triin Soomets) (+/- 15’)
> SAETA (2004)
for guitar (+/- 24’)
> THE SEVEN CHAKRAS (2004)
string quartet no.3
for string quartet and live electronics (+/- 27’)
> CONFRONTATIONS (Original Version) (2003)
for African and Western percussion (10 musicians) (+/- 75’)
> CONFRONTATIONS (Festival Version)(2003)
for African and Western percussion (10 musicians) (+/- 30’)
> CRUCIFIXUS (2003)
for mixed choir (8 voices ) (+/- 5')
> IN DEEP SILENCE III (Impression on a theme from Haydn) (2003)
string quartet no.2 (+/- 10’)
> ONLY DARKNESS AND SHADOWS (2003)
for soprano and instrumental ensemble (10 musicians) (text: Triin Soomets) (+/- 15)
> SEARCHING (2003)
for violin and marimba (+/- 10’)
> ACHILLEUS (2001-2002)
opera for young people, based on a libretto by Imme Dros (+/- 75’)
> IN DEEP SILENCE II (2002)
for recorder quartet (+/- 19’)
> ORPHEUS: MAGIC SINGER IN THE UNDERWORLD (2002)
for children’s choir and piano (+/- 5’)
> AN EVENING PRAYER (2000)
for orchestra (+/- 10')
> 2 NOCTURNES (1999)
for flute and string orchestra (+/- 10’)
> TRIUMPH OF SPIRIT OVER MATTER (1996-1999)
opera in 16 scenes, based on a libretto by Johan Thielemans (+/- 90’)
> BEHOUDEN STEM: CONVERSATIONS WITH M. (1998)
for baritone or mezzo-soprano and 2 percussion players (+/- 30’)
> IN DEEP SILENCE I (1998)
for guitar (+/- 10’)
> BALLAD: THE WITCH DOCTOR AND THE TWO GIANTS (1996)
for narrator and orchestra (+/- 8’)
> FOUR BAGATELLES (1996)
for percussion and piano (+/- 7’)
> RAGA I (1996)
for percussion and orchestra (+/- 18’)
> RAGA I (1996)
for percussion (+/- 18’)
> RAGA II (TOMBEAU) (1995)
for orchestra (+/- 21’)
> RAGA III (new version in 2012)
for viola and orchestra (+/- 27’)
> HOMMAGE (1994)
for clarinet (+/- 4’)
> LAMENTO (1994)
for 4 bassoons (+/-6’)
> 2 NOCTURNES (1994)
for flute, violin, viola, violoncello and double bass (+/- 10’)
> RAGA I (1994)
for percussion and 2 pianos (+/- 18’)
> IMPRESSION NR 1 (1993)
for flute and piano (+/- 5’)
> 2 NOCTURNES (1993)
for woodwind solo (flute or oboe, clarinet, bassoon, English horn, alto saxophone) and piano (+/- 10’)
> SKRIET (1993)
for orchestra (+/- 7’)
> AFRICAN SUITE (1992)
for violin and percussion (+/- 9’)
> CIRCUS SUITE (1992)
- for flute (or bassoon or alto saxophone) and piano (+/- 8’)
- for clarinet in Bb (or bass clarinet in Bb) and piano (+/- 8’)
- for oboe and piano (+/- 8’)
- for 4 clarinets ands bass clarinet (+/- 8')
- for string orchestra (+/- 8')
> DAWN (1992)
for mezzo-soprano, female choir and instrumental ensemble (8 musicians)
(text: Kahlil Gibran) (+/- 20’)
> DE PROFUNDIS (1992)
for mixed choir (organ and brass ad. Lib.) (+/- 4’)
> DECORS (1992)
for oboe and bassoon (+/- 5’)
> LIBERA ME (1992)
for mixed choir (organ and brass ad. Lib.) (+/- 4’)
> OM (1992)
string quartet no.1 (+/- 15’)
> THE CALL (1992)
for horn (+/- 10’)
> IO (1991)
for brass quintet (+/- 12’)
> TOMORROW SHALL BE MY DANCING DAY (1991)
for mixed choir and chamber orchestra (+/- 4’)
(text: English Christmas carol)
> FOUR PIECES (1990)
for clarinet and string quartet (+/- 14’)
> LE VISIONI DI PAURA (1990)
for orchestra (+/- 12’)
> MAYA (1990)
for clarinet (+/- 10’)
> MAKYO (1990)
for marimba and string orchestra (+/- 12’) available soon
> ELEGIE (1989)
for piano (+/- 4’)
> IL PENDOLO (1989)
for double bass (+/- 10’)
> 3 INTERLUDES (1989)
for horn, oboe and piano (+/- 7’)
> MYSTERIUM (1989)
for 10 woodwinds (+/- 15’)
> TORSO (1989)
for trumpet and piano (+/- 10’)
> UNTITLED (1989)
for piano (+/- 4’)
> DROOMBEELDEN (1988)
for oboe, bassoon and piano (+/- 17’)
> 6 MINIATUREN (1988)
for piano (+/- 5’)
> SUITE (1988)
for violin and piano (+/- 14’)
> TOCCATA (1988)
for piano (+/- 3’)
> VARIATIONS (1988)
for orchestra (+/- 17’)
> 6 IMPRESSIONS (1987)
for trombone and 2 percussion players (+/- 10’)
> RONDDOLEN (1987)
for bassoon (+/- 8’)
> SPIELEREI (1987)
for piano (+/- 3’)
> ZOON VAN EROS (SON OF EROS)(1987)
for soprano and piano (text: Hans Andreus) (+/- 8’)
> SEARCHING (1986)
for viola and marimba (+/- 10’)
> SONATINE (1986)
for percussion and piano (+/- 7')
> TRIO (1986)
for oboe, clarinet and bassoon (+/- 10’)
> BARBARIAN DANCE (1985)
for percussion and piano (+/- 7’)
